If art is the visual expression
of the human spirit, Jiang’s wide popularity has come about because his images
strike a universal chord in all of us.
Born in China, Jiang
discovered his intense fascination for art as a child.
At age 19 he was accepted
to the prestigious Central Art Institute in Beijing. In 1963 he graduated
with honors - the last class to be schooled in the traditional Chinese art
disciplines due to Mao’s unleashing of his Cultural Revolution. Jiang moved
to Yunnan Province where he was forced to create propaganda posters and sculptures.
Risking severe punishment, Jiang worked in secret to create his new modern
style, rejecting the Red Guards and their "Social Realism".
This was the beginning
of the Yunnan School, characterized by the use of bold, heavy colors and abstract
imagery. Interwoven into Jiang’s work are symbols illustrating the unique
folklore and customs of the minority peoples of Yunnan.
In 1980 Jiang completed
a monumental mural that is permanently installed at the Great Hall Of The
People in Beijing.
In 1982 the Yunnan School
was first exhibited outside communist China in Hong Kong at the Institute
Of Art And Design.
In 1983 Jiang came to
the United States on an exchange program to teach art at The University of
Southern California. Later, in 1984, he permanently moved to America.
Jiang’s themes are universal.
His paintings depict primordial human emotions, motherly love, fertility and
strength. Jiang feels there are close bonds among all living things and a
harmony of peace that we should always strive to achieve.
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